Liverpool artist Jane Stevenson created this tribute to Sarah Mitton on Wednesday in the sand at Summerville Beach. (Jane Stevenson photo)

For most people, a day at the beach might involve some swimming or lounging on the sand.

For Jane Stevenson, a day at the beach involves creating a 120-by-60-foot piece of sand art as a tribute to Olympic shot putter Sarah Mitton.

The Liverpool artist’s creation on Summerville Beach featured an 85-foot Eiffel Tower with a Canadian flag in the middle and the Olympic rings at the base, with Paris 2024 on one side and “Go Sarah!” on the other.

“She’s a friend and she’s a marvellous person,” Stevenson says of Mitton, who is from Brooklyn.

“I’m enjoying drawing in the sand and I thought what a great thing to be able to do. So I started with the rings one day and I thought that’s not enough. So I stuck a little Eiffel Tower on it and looked at it at home and said that’s not good enough. So, four more tries and not succeeding. Finally, new strategies and a little more homework on the design, on the fifth try, it all came together.”

Stevenson created it in about two and a half hours late Wednesday afternoon. 

She shared a photo and drone video to her Facebook profile Wednesday evening. That post was shared widely. And CBC’s Olympics reporter Devin Heroux posted the photo on his Twitter feed Thursday morning after Mitton qualified for the shot put final.

“It’s gone far and wide, so that’s kind of cool. And lovely comments about it. So that’s really nice too. People really enjoyed the picture and the sentiment behind it. It was fun.

“That’s the most far-reaching anything I ever do will get. So that’s quite a compliment to have them want to do that with it. So I’m pleased with that, it’s more than I thought would happen with it.”

It was Stevenson’s fifth time trying to get her design down in the sand, after plotting it out precisely on paper.  

“The first one went down on the sand on the 27th of July, so between then and yesterday I finally got it right.”

She and her husband Garth used a very long tape measure and a homemade compass to plot out the basic lines of the piece. And then she used a rake to fill in the detail of the Eiffel Tower and the Olympic rings.

Stevenson says that she used the drone only once as she was putting it together.

“Just eyed it. Did it by eye. My lines and my paper that I was going off of were really precise and then we really measured precisely this last time. I had my homework really well done on the fifth try. And then you can just can tell visually that it looks alright. It was math, and drawn lines.”

Stevenson has created eye-popping pieces of public art before, most recently for a Privateer Days parade float for the Mersey Rose Theatre Company. That featured a huge tea party set for the company’s upcoming production of Alice in Wonderland Jr. She’s also created displays for the Astor Theatre, including a life-sized Barbie doll package.

She’s done six or seven other beach art pieces this summer, but this one was the biggest and most complicated. She started at 4 in the afternoon near low tide and finished it around 6:30, racking up about 50,000 steps along the way. 

“I thought I’d won the gold medal, the gold medal in the Olympic sand drawing. It was a very good feeling to get the result I wanted.

“This was fun to do. I really wanted it to work for Sarah. … Not bad for a day at the beach.”

She’s not sure if Mitton has seen it yet, but she knows her mother Bonnie has. Stevenson says she’ll be at home on Friday afternoon cheering on Mitton as she goes for gold.

Mitton qualified for the final on Thursday with her first throw, which was also the farthest in the field.

The Astor Theatre is holding a live viewing party of the shot put final from 2 to 4 p.m. It’s free to everybody. The final is scheduled to begin at 2:37 p.m. Atlantic time.

“On the edge of our seats. She’s looking pretty good. This morning it looked effortless for her. She qualified so easily. I have good feelings for her tomorrow. I think she’ll do well. She’s worked hard, she’s ready.”

Stevenson says she appreciates all the positive feedback she’s received on her beach sand tribute.

“Thank you to everybody who has commented on it. That means a lot as well that they have enjoyed it so. That’s made it even more worthwhile. And, go Sarah!”

Email: rickconradqccr@gmail.com

Stephanie Miller Vincent is the co-ordinator of the South Shore Tourism Co-operative. The organization held its annual general meeting Tuesday at the Quarterdeck Resort in Summerville Centre. (Rick Conrad)

Tourism operators on Nova Scotia’s South Shore are looking forward to a good season, optimistic that visitors will return to the area after a disappointing 2023.

Stephanie Miller Vincent is the co-ordinator of the South Shore Tourism Co-operative, which counts almost 120 members from Peggys Cove to Barrington. 

“We’re a resilient group. We’re also a really optimistic group. And weather will play a factor, the economy will play factor, but we know we’ve got first-class product, we’ve got things to offer that nobody else has in other regions of Nova Scotia or Canada, so we’re looking forward to a really great year.”

The co-operative held its annual general meeting on Tuesday at the Quarterdeck Resort on picturesque Summerville Beach. About 40 members from hotels, restaurants, municipalities and chambers of commerce around the South Shore got an update on the group’s efforts to boost tourism and to extend the season beyond the summer and early fall.

Wildfires, floods and rain contributed to a challenging 2023 tourist season for the area’s businesses. The South Shore, the Yarmouth and Acadian Shores and Cape Breton saw declines in room nights sold compared with 2022, while accommodation numbers in the rest of the province were higher than the year before.

Hotel stays, or room nights sold, on the South Shore for the May to October 2023 period were down about five per cent over 2022.

Those at the meeting on Tuesday said early indications are that this year’s bookings are up over last year.

Jill Forrest, the general manager of the Quarterdeck, said early bookings look good.

“It’s promising for this upcoming year for sure. We are in a last-minute trend, it seems. Even last year, people tend to wait and see what the weather’s going to do and pull that final trigger on booking and knowing where they’re headed. But things are looking very good for the year.”

Susan Corkum-Greek, MLA for Lunenburg and Nova Scotia’s minister of economic development, told the co-operative’s members that she checked with the province’s tourism officials before the meeting to get an idea of what the season might bring. 

“And we have early indicators of early bookings. We know for instance that the Yarmouth ferry has a higher percentage of advance bookings, The hotel association is saying that. Room nights are not the only indicator but it shows buy-in intention and says something of length of stay.”

The co-operative’s annual lobster crawl in February always attracts a lot of attention. This year, the group says its marketing efforts resulted in more than 100 media headlines, reaching about 270 million people, with an advertising value of just under $7 million.

About 100 of the co-operative’s members held 128 events around the South Shore connected with the lobster crawl. And just under 80 per cent of those who attended a lobster crawl event were from Nova Scotia, according to a survey conducted by the co-operative.

Miller Vincent says it’s always difficult to predict what the season will be like. But she expects staycations to be big again this year.

“You’re always trying to look at the data,” she says. “We always look at the price of gas, but we’ve got more flights coming into Halifax so that’s important. The economy will probably keep people closer to home and looking to see not only what’s in their own neighborhood but what’s next door. Staycations have become more important than before Covid because we recognize what we’ve got here.”

Email: rickconradqccr@gmail.com

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